creativity by wess
Posted on by Wess Foreman
Maybe I should start a pallet knife series. I like pushing paint with a pallet knife, just don't do it enough. This one is another "bend in the river" painting---accomplished with pallet knife of course.
Posted on by Wess Foreman
Another sailboat painting. They always get attention from sailboat enthusiasts, but I don't always have them on hand.
Posted on by Wess Foreman
With this large painting I was going for lots of texture [if that's not clear from seeing the image itself]. I achieved this effect with layers of paint applied with brush, with textured roller, with pallet knife, and with splashes and drips of paint. I gave a little relief to this texture onslaught with a wash of white in the center above and below the bridge---this little change helps to push this area to the background and helps the bridge stand on it's own in the foreground.
Posted on by Wess Foreman
A quick painting with some pallet knife work. Painted on Masonite hardboard.
Posted on by Wess Foreman
This one started as two head-and-shoulders portraits---didn't like it so I scrapped the one on the right and put in a simple background of trees; then the fairies took over and the painting took on a life of its own. Now I've got this high-fantasy painting with a hint of anime styling to the large-eyed face and a painting that doesn't fit with the rest of my work, in terms of subject matter.
Anyway, if you know anyone who would love this painting, let them know I've got it for sale---and tell them to ask for a better price, you never know with artists and it doesn't hurt to ask . . . .
Posted on by Wess Foreman
Wanted another figure painting to pair with the Portrait of Mrs. White painting. I was initially going to make the entire coat out of newspaper but after applying the left side, I liked it better this way. He is supposed to be a Victorian-era gentleman but I think this could be from any era up to current times. Perhaps I should have added the dead-give-away oversize mustachio . . .
Posted on by Wess Foreman
I've done a number of coffee paintings and a number of them with beignets, and I don't know exactly how many. Anyway, I'm calling this one #6, though maybe I should give it a more memorable name. "Breakfast at the Cafe" or "Intellectual Stimulus" or "A Cup of Joe and a Plate of Pastries". I dunno.
Posted on by Wess Foreman
This was a quick study of an orange lantern with a white pillar candle. This lantern was hanging outside on our patio and I couldn't resist painting it.
Posted on by Wess Foreman
Several things are glued into this painting---a seed packet for sunflowers, a price tag, a bit of string, and four or five pieces of aluminum foil---making this a mixed media piece. This one, like many others, started its life as a different painting altogether---a painting not quite ready to be painted, perhaps. I had the idea of painting a simple tree shape, trunk and branches, and then I started adding the stars [for some reason]. The blue sky was too blue, so I went in strong with white latex house paint which, being of a thinner consistency, began to drip down the painting---this looked fine to me, so I continued to let it drip and dawdle down the painting. I left the bottom part alone until a dark shape near the trunk appeared to me to be a person kneeling (I had already named the painting "Wish Tree", so a person kneeling, making a wish, seemed to fit).
From Wikipedia: "A wish tree is an individual tree, usually distinguished by species, position or appearance, which is used as an object of wishes and offerings. Such trees are identified as possessing a special religious or spiritual value. By tradition, believers make votive offerings in order to gain from that nature spirit, saint or goddess fulfillment of a wish."
Posted on by Wess Foreman
Another gender-nonspecific portrait done in a primitive style---I don't know, but I like it.
Posted on by Wess Foreman
I spent a long time changing the color of the hat, having already deciding on the yellow/orange background with the peach/violet face---for some reason the hat color gave me fits---then I decided to break out the newspaper. So now it's a mixed media piece. Acrylic and old media.
Posted on by Wess Foreman
The strongest part of this painting is the expressive energy; it's fresh and untamed and honest. The weakest part of this painting is the weak title I gave it---what!? If a better title springs to mind, post it in the comments. I might rename this one. That is all.